FolkestoneJack's Tracks

Gormley retrospective

Posted in England, London by folkestonejack on November 27, 2019

The Royal Academy’s Gormley retrospective is in its last few days, closing on 3rd December, but we somehow managed to squeeze in a half hour long wander round the 13 rooms. The exhibition provides an interesting selection of artworks from Gormley’s small scale experiments from the 1970s/80s through to the room-filling architectural constructions of recent times.

It is hard to think of a sculptor who has made as much of an impact on the public consciousness as Antony Gormley, from the unforgettable sight of his figures staring impassively out to sea at Crosby to the iconic figure of the Angel of the North. I’ve made trips to see both of these and they have been every bit as impressive up in situ as they have seemed in the many photographs that I have seen in the press over the years.

Familiar figures

The familiar cast-iron figures on display at the Royal Academy are presented in a much more intimate setting than I have seen before, attached to the floor, ceiling and walls. It’s hard to know where to look and easy to become disoriented as you look up. At one point I found myself apologising to the person behind me for stepping in front of them before realising that I was talking to one of the cast-iron figures. In other rooms you can see Gormley’s abstracted steel slab figures and a single figure made from a metal lattice.

I am a little claustrophobic so it takes quite something to tempt me into a confined space, but I was intrigued by the vast room-filling steel structure called ‘Cave’. AS you approach the doorway to the room all you can see is the angular metal structure filling the door frame. The choice is yours – walk around the outside or step inside. I couldn’t resist and headed in.

At the entrance it looks as though you can see light ahead but once inside the darkness takes over and you have to feel your way through until you reach an open space at the centre. Eyes gradually adjust to the subtleties of light on the metal, much like his Room at the Beaumont Hotel. The effect was soon spoilt by an idiot (me) who found his phone lighting up like a Christmas tree. I’ve always been very conscious not to be that person whose phone rings in the theatre, so was mortified to be that person in an art gallery…

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Cats in charge

Posted in England, London by folkestonejack on November 27, 2019

A mid-week outing to Piccadilly provided an opportunity to see some of the many Christmas lights strung up across the west end, take a wander through the Gormley retrospective at the Royal Academy and admire the annual Christmas display in the windows of Fortnum and Mason.

Cats in control

This year’s display in the windows of Fortnum and Mason reveals a series of animated scenes from a Christmas factory operated by cats. Each window shows a different part of the operation, with my favourite being the salmon smoking operation (complete with a cat with a pipe sitting under the grill). As if that wasn’t enough, the whole frontage of the shop has been turned into an illuminated advent calendar. It’s quite a spectacle and already a popular photo-op judging by the crowd on the opposite side of the road. It’s worth a look if you are in the area.

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Powerful words

Posted in England, London by folkestonejack on November 15, 2019

Every now and again you see a play so powerful that it transports you away from everything you know and makes you reflect on your understanding of the world. Tonight, was one of those rare occasions and quite unexpected.

The play in question was #WeAreArrested, a joint production of the Royal Shakespeare Company and Arcola Theatre. This is a powerful retelling of the true story of Can Dündar, a journalist whose decision to publish the truth about illegal actions by the Turkish state saw him imprisoned and separated from his family. The play deliberately downplays the specifics of the location to focus on the possibility that this could be happening anywhere.

The eloquent script was beautifully delivered by a cast of three with a bit of magic, a dash of humour, a bit of Adele and even a prison cell recipe for cheese toasties! It’s quite the most marvelous and inventive piece of theatre that manages to conjure up and tear down a prison with words. Quite appropriate, as we were watching the show on the International Day of the Imprisoned Writer.

An after show discussion with the writer, cast and creative team provided many fascinating insights, but also brought home the continuing deterioration in freedom worldwide. Hundreds of writers have been imprisoned for their work. Not in some distant unimaginable land, but in Europe. A recurring theme throughout the discussion was the simple understanding that you can’t take anything for granted in today’s world. It’s a sobering thought.

#WeAreArrested runs at the Arcola Theatre from 13th November to 7th December 2019

Chihuly at Kew

Posted in England, London by folkestonejack on October 19, 2019

The main reason for my visit to the Royal Botanic Gardens in Kew this weekend was to see the glass artworks of Dale Chihuly before the current exhibition closes on 27th October 2019 after a six month long run. I was far from alone in making the most of the beautiful weather to take a look, with plenty of eager folk ready and waiting at the gates for opening time.

Summer sun in front of the Palm House

The current exhibition, Chihuly – Reflections on nature, features 32 artworks in 13 locations. The outdoor exhibits are concentrated in the section of gardens from the Palm House to the Japanese Gateway, making it relatively easy to make a stroll between the exhibits armed with the handy map provided. The Sapphire Star looks particularly stunning with the autumnal red backdrop provided by nature (even though the sun had hidden itself at this point of my visit).

The scale and intricacy of the sculptures is extraordinary, especially those on view in and around the Temperate House. Most of the pieces on display have never been seen in the UK before and the centre piece, a stunning new arrangement of tumbling blue glass, specially designed for the Temperate House, just looks amazing from every angle you see it (you can look up from ground level or look across from the balcony around the glasshouse).

An indoor display of smaller, but equally exquisite and playful pieces can be found in the Shirley Sherwood Gallery of Botanical Art.

A stunning display in the Temperate House

Chihuly’s daring glass installations are as wonderful as ever, looking perfectly at home amid the natural forms of the plant kingdom. I don’t think any of the photos in any way do justice to the astonishingly sinuous shapes or their vibrant colour, but it might give some idea of how special these artworks are.

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Autumnal adventures at Kew

Posted in England, London by folkestonejack on October 19, 2019

A beautifully clear and sunny start to the weekend made a welcome change from the rain of the past fortnight. It was enough to tempt me out for a long overdue return to Kew Gardens. I have been meaning to return ever since the Hive was installed in 2016 and since the Great Pagoda was re-opened after restoration in 2018. Somehow, I have not managed to find the time until now. Better late than never, as I seem to say rather too frequently…

A view of Kew from the top floor of the Great Pagoda

The Hive is a remarkable construction, made from 169,300 pieces of aluminium, which was originally designed as the British Pavilion for World Expo 2015 in Milan. It was re-installed at Kew in 2016 and has since become a firm favourite of visitors. The structure was designed to give visitors a multi-sensory experience that captures the essence of the life of a working bee.

One of my colleagues visited in 2016 and gave a terrific account of the experience. It has been in place for a few years on, so doesn’t get quite as much attention as when it was brand new. In some ways that’s good, as it is quite something to stand there on your own and absorb the gentle and quite astonishingly beautiful soundtrack of a 40,000-strong honeybee colony. A lovely way to start my visit before continuing on towards the always impressive Palm House and on to the southern section of the park.

The Hive

The Great Pagoda was built in 1762 as part of the landscaping for Princess Augusta, the founder of the botanic gardens. On its opening the rooves of the 10 storey pagoda were decorated with 80 hand-painted carved Dragons but these only lasted 22 years. It was a delight to read that the restoration work on the Great Pagoda would see the return of dragons after a 234 year interval. The result is every bit as spectacular as you can imagine from the description.

I hadn’t intended to take a look inside, but on a whim decided to buy a ticket at the Pagoda and after climbing the 253 steps was rewarded by a stunning view across to the Temperate House while it was still bathed in sunshine. From this height the shadow of the pagoda across the gardens is pretty impressive too and surprisingly photogenic in its own right. The pagoda is only a few weeks away from its winter closure, so I was glad to have got my timings right on this occasion.

One of the drgaons perched on the Great Pagoda

Quite apart from these permanent attractions at Kew Gardens, my visit was timed for the end of the exhibition of works by Dale Chihuly, of which more in the next post. Overall, it was a splendid day out and, as ever, I underestimated the time you can spend in the gardens. There are still many sections of park that I have not reached. After a series of visits to Kew in the autumn, I must remember to make my next visit in the Spring and get a very different burst of colour.

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Energy Observer visits London

Posted in England, London by folkestonejack on October 3, 2019

The experimental Hydrogen powered ship Energy Observer arrived in London tonight at the end of a Northern European tour, part of a six year long odyssey that is set to take in 50 countries (with 101 stopovers). I thought she made an impressive sight as she passed under Tower Bridge, though this was probably not the most popular of bridge lifts, coming mid-way through the rush hour!

Energy Observer approaches Tower Bridge

Energy Observer is the first ship in the world to be powered by hydrogen generated on-board through seawater electrolysis. The ship also uses a mix of renewable energy technologies (solar, wind and hydropower) and two types of energy storage (li-ion batteries and hydrogen). The project is a French initiative to develop a more environmentally friendly method of ship propulsion with zero greenhouse gas emissions.

It’s not the first innovative renewable energy powered vessel that the Thames has seen (the Swiss solar powered ship Planet Solar visited in August 2013) but it’s never been more welcome to see ground breaking ships like this in the face of the urgent need to tackle climate change.

Energy Observer is set to stay in London until the 13th of October and a travelling exhibition about the ship and her technologies can be visited in St Katharine Docks, Marble Quay.

Open House London 2019

Posted in England, London by folkestonejack on September 21, 2019

The annual delight of Open House London has once again delivered with an impressive list of over 800 interesting buildings to explore, ranging from private residences to skyscrapers. I made a rough plan for a circuit to three sights in the City of London and then added another three on the fly, taking up roughly five hours.

My wanders through the city took in the modern art on display at the ING UK offices at 8-10 Moorgate; the brutalist masterpiece at Salters’ Hall; St Bartholomew the Great, the oldest parish church in London; the recently re-opened Butchers’ Hall; the tranquil St. Michael Cornhill; and the stunning interior of Lloyd’s Register Building at 71 Fenchurch Street.

Salters’ Hall

One of the more intriguing buildings in the city is Salters’ Hall, a brutalist masterpiece unveiled in 1976 – one of the last buildings conceived by Sir Basil Spence. The building has undergone extensive redevelopment by dMFK from 2013 to 2016 to bring it up to date and help ensure continued returns from their income generating office space. The revamp also saw the restoration of the interiors designed by David Hicks. The fluted ash paneling in the hall is particularly gorgeous.

The theme of salt is repeated throughout the building in many ways, from a top floor lobby intended to resemble a salt mine to a striking staircase chandelier with lumps of salt rock crystal. The dMFK revamp saw the re-orientation of the building and the creation of a new entrance pavilion, with a reception design inspired by salt formations, echoing the work of Hicks. It is wonderful to see.

The Worshipful Company of Salters has its origins in the medieval salt trade and their first hall was constructed in the 15th century, close to the city’s salt trade in Bread Street. Today’s hall is the seventh. An interesting display in their small basement museum space presents models of the fifth, sixth and seventh halls – all strikingly different. There are no known images of the first four, the last of which was destroyed in the Great Fire of London in 1666. The sixth hall was demolished after suffering substantial damage in World War 2.

A small part of the last hall survives in the form of wrought-iron gates with birds and beavers in front of the entrance pavilion. These were originally to be found in St Swithin’s Lane and date from 1887. The gates were originally commissioned for an exhibition so the animals have no particular significance for the Salters, though their arms were added later.

Stained glass in Butchers’ Hall

Another unexpected highlight was Butchers’ Hall. This is the home of the Worshipful Company of Butchers, one of the oldest livery companies in the city. The current hall is the sixth and relatively young, built on the footprint of its predecessor after its destruction in the war. It has been closed for for four years while a significant volume of demolition and construction works took place all around it, re-opening in September 2019. The closure allowed an upgrade of the hall to make it fit for the 21st Century and they were understandably proud of the results.

Butchers’ Hall holds plenty of surprises. I particularly loved the stained glass and representations of the company arms throughout the building. It’s not often that you get to see pigs and cattle represented in stained glass!

A short walk away from the hall brings you to the Smithfield General Market buildings, once home to the largest wholesale meat market in the UK. It’s hard to appreciate just how revolutionary this place was in its mid-nineteenth century with hydraulic lifts to being meat up from the underground railway to the market floor. I hoped to get a place on one of the tours here, but they filled up very quickly. I’ll settle for a return in 2024 when this place re-opens as the new Museum of London.

Wanders around West Smithfield reveal many other buildings that were added to serve the market, such as the Port of London Authority cold store (1914), which had capacity for 78,000 carcasses, and the geometric designs of the modern Poultry Market, replacing the Victorian original after a terrible fire lasting three days in 1958. It’s an area I know very little about but there is clearly much more to discover.

Contrails over the city

I walk to work through the city five days a week, but rarely do I look up and see what is around me. One of the beauties of the Open House weekend for me is that it encourages you to look at your surroundings in a new light. On this occasion, some of the most enjoyable moments were the simplest – such as navigating my way through some of the tallest buildings in the city and looking up to see the reflection of the Lloyd’s Building captured beautifully by one of its newer neighbours.

One of my regular commuting routes through the alleys and lanes of the city takes me past the church of St Michael, Cornhill, but I have somehow never stepped inside until today. It hadn’t occurred to me that what I was glancing at while commuting was a 17th century church given the George Gilbert Scott treatment with the addition of a Franco-Italian Gothic styled porch and extensive interior re-decoration. The colourful circular stained glass of Christ in the east wall is stunning.

In similar fashion, an unplanned stop at the ING UK offices at 8-10 Moorgate gave me a chance to see inside a building round the corner from my workplace. I hadn’t expected the gallery of modern British painting on display on the top floor rooms with artists that include Lowry, Stanley Spencer, John and Paul Nash. The open air terraces front and back offered some interesting perspectives on the neighbourhood too – having spent decades walking along Moorgate at ground level it was strange seeing the rooftop level view of the street!

Stained glass in the Colcutt Building

Another unplanned stop on my circuit took me inside the oldest parish church in London, St Bartholomew the Great, with the unexpected and arresting sight of Damien Hirst’s gilded sculpture ‘Saint Bartholomew, Exquisite Pain’, which is on long term loan to the church. The image of the apostle with his flayed skin is not easily forgotten. I suspect I have visited the church in the past, but it was well worth spending time to admire the detail afresh – especially with the sun beautifully illuminating the tomb of Rahere (1143), the courtier to Henry I who founded the priory.

Finally, my circuit of the city concluded with the stunning interior of Lloyd’s Register Building (the Colcutt building) at 71 Fenchurch Street which features a committee room with an incredible painted barrel-vaulted ceiling influenced by the Sistine Chapel. It was quite an architectural highlight to end my Open House weekend on!

The barrel vaulted ceiling by Gerald Moira that took 17 months to complete

So that was a few more of the 800+ buildings on the Open House London list ticked off, but many more still to see. Roll on Open House London 2020!

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Ships in the September sun

Posted in England, London by folkestonejack on September 14, 2019

A late burst of September sunshine conjured up a very summery feel on the Thames, drawing plenty of folk out for riverside walks, sunbathing and even the occasional barbeque. It looked like a lovely day to be out on the water too, which was just as well with over 300 small boats taking part in the Great River Race from Greenwich to Richmond.

RFA Lyme Bay leaves the Greenwich Peninsula behind

I took the opportunity to enjoy the good weather too, with a walk along the Thames and see the departure of some of the unusual ships to have visited these waters for London International Shipping Week. The first of these was RFA Lyme Bay (3007), a Bay-class landing ship of the Royal Fleet Auxiliary, whose departure was assisted by tugs SD Shark and SD Seal. A little later Pharos, a lighthouse tender operated by the Northern Lighthouse Board, followed downstream en route to Dundee.

There were a few unexpected surprises, most notably the sudden appearance of a US Army Chinook (13-08132) and an Apache gunship (09-05582). These helicopters were heading home after attending DSEI 2019, the controversial defence trade show. Another surprise was the appearance of Ocean Dreamwalker III, a one year old luxury yacht complete with its own helicopter.

Pharos spent a week berthed alongside HMS Belfast

I haven’t walked around the Greenwich peninsula in a long while and it was a bit of a shock to see how many new high rise apartment blocks have appeared. The whole development is planned to take 20 years, with work on the tallest buildings at Meridian Quays not expected to start until 2028-2029. It already feels incredibly densely packed so goodness knows what it will be like then.

In a similar fashion, I spent quite a bit of time staring at the northern stretch of riverside between Trinity Buoy Wharf and the Thames barrier trying to recall what industrial buildings had existed where the first two phases of the luxury apartment blocks of the 40-acre Royal Wharf development now stand. There are still further changes to come with work progressing on the distinctive buildings of Mariner’s Quarter in phase 3 of the project.

Some reassuringly industrial sights along the Thames Path

It was astonishing to see how a few decades of development have erased the industrial riverscape here, but such is progress. It was almost a relief to find that the Thames Path still winds through through the unpolished industrial scenery of Angerstein Aggregates Wharf!

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A test of geography

Posted in England, Lithuania, London, Vilnius by folkestonejack on August 27, 2019

The last day of our short stay in Vilnius disappeared in a whirlwind of churches and museums, while still leaving plenty behind that we could slot into a future trip to Lithuania. Soon enough it was time to head to the airport and we decided to take the quick and cheap option of travelling by train, with the bonus of a quick look at the plinthed L class steam locomotive at the station.

L class 2-10-0 freight steam locomotive plinthed at Vilnius Central Station

The journey from Vilnius Central Station to the airport station took just seven minutes, with a short walk across the parking lot at the other end to reach the terminus building. The departures hall is located in a modern extension to the 1950s airport building – still relatively small by European standards, but not particularly crowded when we passed through. There is talk of building a new mega airport midway between Kaunas and Vilnius to cope with the anticipated increase in passenger traffic.

Our homeward flight with LOT, the Polish national airline, once again saw us boarding an Embraer 190 but this time we were lucky enough to have a seat that lined up with the windows (not entirely sure if this was down to the individual plane, or the fact that we were towards the back of the plane on this occasion). This was much appreciated as our flight took us on a loop around Vilnius, giving us one last splendid look down on the old town before heading west. I was struck by how green the city looked from the air.

A last look at Vilnius

The routing today took us over Berlin (instantly recognisable with the distinctive shape of the former Templehof airfield and hexagonal terminal building at Tegel) then on to Rotterdam, before taking us across the North Sea.

Our progress was sufficiently good that air traffic control deemed it necessary for us to get a closer look at the London array on two loops of the North Sea. I don’t recall having seen the 175 turbines of the London array before on my flights, which is odd as it is the second largest operational offshore wind farm on Earth and an incredibly impressive sight.

A closer look at the London Array

I always enjoy the test of geography that any homeward flight brings, trying to spot familiar landmarks that will tell me which approach to London our flight is taking. Today was no different. After completing our North Sea crossing I could see a distant view of the Sheppey Crossing, then the distinctive shape of Coalhouse Fort, the Sikh temple in Gravesend, but then…. where were we? I couldn’t see any of the landmarks I expected along the Thames.

A large stadium loomed into view and I was struggling to think what that could be until I recognised the swimming pool next door, and then – much more obvious – the Crystal Palace Transmitting Station. Suddenly the unfamiliar seeming landscape clicked into place and I could see my local park, my old primary school, the local railway depot and my childhood home! We had clearly veered south and I hadn’t even realised…

After heading further across South London we made a turn over Battersea Power Station for a westerly approach to London City Airport, landing a few minutes early. Fifteen minutes after disembarking I was on the DLR platform, ready to head home by train. The wonders of London City Airport.

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HNLMS Luymes visits the capital

Posted in England, London by folkestonejack on July 26, 2019

On my way into work today I had the pleasure of watching a naval vessel arrive for a four day stay. It’s a while since I’ve been around at the right time to see the spectacle of the bridge opening for a warship but it certainly doesn’t get any less spectacular. The seagulls seemed much less impressed with my presence, preferring to use me for target practice!

Zr. Ms. Luymes shortly after passing through Tower Bridge

The visitor on this occasion was the hydrographic survey vessel HNLMS Luymes (A803) from the Royal Netherlands Navy. HNLMS Luymes arrived at the beginning of the rush hour, passing through Tower Bridge just after 7am. The ship, a familiar visitor to the capital, was accompanied by the tug Svitzer Cecilia, who assisted in turning the ship around to face the bridge after passing through. HNLMS Luymes is currently scheduled to be berthed alongside HMS Belfast until 1pm on Monday 29th July.

The vessel is soon to undergo a scheduled mid life upgrade in the shipyards of Damen with her classmate HNLMS Snellius, which will see the ships updated with new hull plating, the renewal of the radar and an upgrade to the communications equipment.

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London from the air

Posted in England, London by folkestonejack on July 9, 2019

On my homeward flights to London I have often caught the occasional glimpse of a sight or two that I recognise, but rarely have I seen such an extended run of the familiar as we followed the path of the Thames in to Heathrow today on our much delayed flight.

The flight took us over the millennium dome; the skyscrapers of Canary Wharf; London Bridge and the City of London; Waterloo; Victoria Station and Battersea Power Station; the National Archives; Kew Gardens; and the Cavalry Barracks at Hounslow. The last of these was especially interesting to me as one of my ancestors was stationed here in 1800-1801 when the site was still relatively new. It is currently scheduled for closure in 2020.

The Cavalry Barracks at Hounslow

The Cavalry Barracks are historically significant, being among the oldest and most complete barracks in the country. The first buildings on the site date back to the first wave of construction in 1793 and there are 14 grade II listed buildings on the Site, some of which are in a poor state of repair. In addition to this, there are 19 locally listed buildings on the site.

Earlier this year the local council released a planning brief for the cavalry barracks which sets out their vision for a new neighbourhood that will integrate new build with the site’s heritage. It will be interesting to see how this progresses.

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The indirect route to Tallinn

Posted in England, Estonia, Finland, Helsinki, London, Tallinn by folkestonejack on June 28, 2019

The first day of our Baltic circuit took us to Tallinn by an indirect routing through Helsinki that would take us on two trains, one plane, one tram, one ferry and a taxi! Our original plan was to spread this over two days but after British Airways moved our flight forward by 3 hours it made sense to take the hit and get all our travelling done in one day.

The Heathrow Express started our multi-transport day for a short hop between terminals, having spent the night at an airport hotel (that in itself was a little problematic – our original choice of hotel cancelled our room shortly before our arrival, saying they had overbooked). Thankfully our flight from London Heathrow went very smoothly and delivered us to Helsinki airport with splendid views over London, Denmark and Sweden along the way.

A view of Wembley Stadium at the start of our journey

On arrival in Helsinki we had a bit of a wait for our luggage, but once we were on the move everything turned out to be quite straightforward (an airport train in to the central station, switching to a number 7 tram at the stop just outside). We stepped off the tram into Terminal 2 at the West Harbour almost exactly two hours after our flight landed.

Our transfer to Tallinn was to take us on board the Tallink Megastar, one of the new generation faster shuttle ferries operating between the Baltic capitals. It’s also pretty large at 212 metres in length and with a capacity of 2800 passengers. Fast seemed to the operative word – boarding started just 20 minutes after the ship arrived (3.30pm) and the ship left ten minutes before its scheduled departure time (4.20pm).

It was pretty clear that we were among many seasoned Tallink customers so just followed the crowd to the sitting lounge and found a couple of spots to rest up for the two hour crossing. The ships are pretty well geared to the needs of foot passengers with an extensive number of storage lockers of different sizes (most requiring a couple of euros) near the main seating areas.

Tallinn: A room with a view

The Megastar gave us a terrific view of the Estonian coastline as we closed in on the Port of Tallinn in the early evening, not that you had any strong sense of the approaching night with sunset not too far short of 11pm. We should probably have used public transport to get to our accommodation but settled on a short hop by taxi at the end of a long day. Time to chill out and enjoy a view over the harbour from high up in our hotel room.

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The Tallink ferries sell Tallinn Cards on board, saving time and effort to find a sales point in the city. We picked up a couple of 3 day cards at 47 euros each and calculated that it would saved us at least the same again – terrific value.

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London’s newest rooftop viewpoint

Posted in England, London by folkestonejack on February 24, 2019

I have been known to grumble, every now and again, about the monstrous skyscrapers that have been filling the skyline of the City of London over the past couple of decades. However, I have to confess that I rather like the rooftop spaces that they have created for the public to enjoy. The newest addition to the list is The Garden at 120 at 120 Fenchurch Street.

The view from the Gardens at 120 across to the Walkie Talkie

A week after the public opening I took a look for myself. It’s not on most tourist itineraries yet, so there were just ten of us queuing for the morning opening (10 o’clock) while a much larger queue was in evidence just a short walk away at the Walkie Talkie. There might not have been many of us, but I was still impressed by the speed that the staff got everyone through the security checks and into the lift to enjoy the tranquility of the gardens fifteen storeys up. Over the next hour a steady trickle of visitors arrived to join us but nowhere enough to trouble the limits.

It was a glorious morning to go up top with the morning fog giving way to clear blue skies and full sun. Needless to say, the views of the surroundings were superb. The walkway around the gardens offered sight lines to St Pauls, the Walkie Talkie, Lloyd’s Building and the Gherkin. In particular, I liked the fact that you are looking across the rooftops of these mid-height buildings, rather than looking down from a great height with little chance of admiring the detail.

The garden aspect of the rooftop is still in its infancy but once the wisteria reaches maturity this will be a lovely spot. There are plenty of benches spread around the spacious rooftop and a handful of visitors were taking advantage of the opportunity to bask in a little of the unseasonably warm weather on offer today and admire the bravery of the cleaners washing the windows of the Scalpel next door.

If the planners at the City of London have anything to do with it we will see more accessible and free to enter roof terraces and spaces. The draft City Plan 2036 would require the provision of ‘free to enter, publicly accessible areas’ as part of all tall building developments to help deliver their vision of a more inclusive city.

Views of St Pauls and the Lloyd’s Building from the rooftop gardens

In the space of a week there have been quite a few reports from the rooftop, including IanVisits and Diamond Geezer. The Guardian also published an interesting architectural review of the development, describing it as a candy-striped miracle in the central London skies.

Information on opening hours and a live footfall counter is available on the official 120 Fenchurch Street website. In the rush to get up top don’t forget to admire the wonderful giant video screens (with accompanying sound installation) on the ceiling of the entrance.

Photography is permitted but a little tricky, on account of a sloping see through barrier that runs around the 360 degree perimeter of the roof garden. Not that it stopped anyone from trying today!

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Open House London 2018

Posted in England, London by folkestonejack on September 22, 2018

This year’s Open House London was a rather damp affair, but such is the love of the event that queues still formed across the city in the rain. I made it to just two buildings on this occasion. First up was Australia House on the Strand, home of the Australian High Commission in the UK, followed by the National Audit Office near Victoria.

Australia House

Australia House was celebrating its 100th anniversary, making it a great weekend to visit, with specially printed celebratory Tote bags and a selection of Australian products to sample.

The construction of Australia House began in 1912. During the First World War an embargo was placed on any building works not contributing to the war effort, but an exception was made for Australia House. Finally, Australia House was opened by King George V on 3rd August 1918, six years after construction began.

The lavishness of the material used in its construction is apparent from the moment you enter the grand entrance – using stone, marble and timber shipped all the way from Australia. The exhibition hall contains 1200 tonnes of Australian marble and is illuminated by three large chandeliers. The building is incredibly photogenic throughout – even the staircases are spectacular with one thought to have the longest continuous brass handrails in London.

An unusual attraction in the building were the basement vaults, once used to store gold bullion but now just a general store. The vaults are perhaps more familiar as the location of Gringotts Bank in the Harry Potter films. However, my favourite part of the building would have to be the series of murals added to the rotunda outside the High Commissioner’s Office in the late 1950s. The murals, created by artist Tom Thompson, depict Australia’s agriculture, mining and industrial sectors.

National Audit Office

My second stop of the day was the National Audit Office at 157-197 Buckingham Palace Road in Victoria. It’s a stylish art-deco building that was, rather surprisingly, once the finest airport terminal in the world despite being located in the centre of the city and nowhere near an airport!

The building, originally known as Airways House, opened in June 1939 and was a hub where travel connections by air, rail and road came together. In its original layout passengers would have transferred from the terminal to pullman trains on the adjacent platform, for a service connecting up with the flying boats operating from Southampton. In time the flying boats were replaced by jets operating from Heathrow and the trains gave way to buses. Astonishingly, the terminal continued to see use until 1980. The NAO took over the building in 1984.

It was a spot of good fortune that our tour group was taken round by the facilities manager who had organised the restoration of some of the art-deco features that had been lost, giving us a great insight on how to balance the desire for restoration with a cost effective solution.

As ever, Open House Weekend served up some absolutely fascinating glimpses of buildings that would normally be off limits. Thank you to everyone involved in making our visits so enjoyable.

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RAF 100 Flypast over London

Posted in England, London by folkestonejack on July 10, 2018

The blue skies and wall to wall sunshine might have disappeared but that could not diminish the sight of 100 aircraft flying over London today to celebrate one hundred years of RAF operations. Every rooftop, building site and crane seemed to be alive with spectators eagerly anticipating ten minutes of noise and spectacle. Crowds started to gather at Waterloo Bridge a good hour before the clock struck one.

22 Typhoons mark the RAF’s 100th anniversary in style, seen here passing over the City of London

It was amazing to think that as the first helicopters reached the mall the Red Arrows were only just starting their flight along the route from Ipswich to London, via Chelmsford. It’s not often you get to see some of these aircraft in the skies, let alone over central London, so it was a real pleasure to watch. The RC-135W Rivet Joint electronic surveillance aircraft, the E3-D Sentry, Sentinel R1 and the soon to be retired Tornados were all pretty special. However, the highlight had to be the 22 Typhoons in an astonishing ‘100’ formation.

The photos are almost silhouettes and not really worth sticking up here, but I have included a few to give a sense of the occasion. Thank you to the 200+ aircrew and all those involved in creating this wonderful spectacle.

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Paddling along the Thames

Posted in England, London by folkestonejack on July 7, 2018

The sporting smorgasbord on offer this weekend offers something for everyone, whether that be the opening stages of the Tour de France, Wimbledon, the British Grand Prix and the World Cup quarter-final between England and Sweden. However, slipping under the radar a little is a rather interesting newcomer – the International Stand-up Paddle Board World Tour.

Michael Booth approaches the finish line at the 2018 London SUP Open Pro Thames Race

This is the first time that the world tour has come to London, giving Londoners a chance to see some of the world’s best paddle boarders in action. After London the world tour will move on to New York City, San Francisco and Paris.

Most of the activity this weekend is taking place at the City Paddle Festival at the Royal Victoria Docks but first up there was the small matter of the 2018 London SUP Open Pro Thames Race early this morning. The race took in a 4.5km stretch from Battersea Bridge to an impressive finish outside the Palace of Westminster, with victory claimed by Michael Booth.

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Bank holiday sun atop the city

Posted in England, London by folkestonejack on May 9, 2018

A couple of months ago I booked a table at one of the restaurants at 20 Fenchurch Street for my father’s 80th birthday, little suspecting that it would be a day of record breaking temperatures, beautiful blue skies and wall to wall sun. Perfect conditions for a lovely family occasion – a little wander round the Sky Garden followed by a leisurely meal as the sun set.

The view towards Canary Wharf from the Sky Garden

It was my first visit to the Sky Garden and I was impressed by the sights on offer, even if the feel of the space was more green airport concourse than public park to my mind. The outdoor terrace was closed throughout our time on floor 35 but even without this we still had the most wonderful views across the city and out to Canary Wharf (albeit with the shocking sight of a layer of pollution hanging over London).

The Sky Garden opened in January 2015 so my visit comes rather late in the day compared to most bloggers. It is interesting to see that the green element, such as it is, is a little more substantial than it appeared to the first visitors (the Evening Standard reported some users describing it as more of a “Sky Rockery”). It’s definitely worth a look though and a good deal easier to get up top now that the initial rush has subsided, though clearly still a very popular destination.

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Lighting up London

Posted in England, London by folkestonejack on January 18, 2018

The winter gloom has been banished for four nights by the bright illuminations of Lumiere London, a festival of over 50 artworks clustered in six locations across London. I took the opportunity of a pre-theatre wander around Westminster and the West End to check out some of the delightful sights.

Westminster Abbey illuminated for Lumiere London 2018

The highlight for me had to be Patrice Warrener’s The Light of the Spirit (Chapter 2) at Westminster Abbey which has brought two gates of the abbey to life with a colourful overlay of light. The effect is quite astonishing. Other favourites include the glowing stairway to heaven atop St Martin-in-the-Fields, the Flamingo Flyway in Chinatown and the nightlife of Leicester Square Gardens.

The second edition of Lumiere London runs from 18th to 21st January 2018 with the illuminations available to view from 5.30pm to 10.30pm each night. Maps and guides are available to download from the Visit London website to help plan your visit. If you are looking for a good night at the theatre to accompany your wanders why not check out the superbly improvised and addictive shows at Mischief Movie Night. I can’t stop going back for more!

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Stars in London

Posted in England, London by folkestonejack on January 13, 2018

A little weekend outing to the Tate Modern provided one of the odder sights of the year to date – Tom Cruise running over the roof of Blackfriars Station!

Tom Cruise sprints across the roof of Blackfriars Station

It was a little puzzling at first – a glance from the rooftop viewpoint revealed dozens of orange clad crew on top of Blackfriars station and the buildings that surround the northern end of the railway bridge. The appearance of a low-flying helicopter with a giant camera, following a running man across the rooftop, helped put us in the picture and twitter confirmed the rest.

Our visit to Tate Modern gave us an opportunity to see Red Star Over Russia: A Revolution in Visual Culture 1905–55 on a grey winter’s day. It’s a fascinating exhibition that covers the remarkable wave of art and graphic design that accompanied the new regime, from highly decorated agitprop train wagons to colourful posters bringing the revolutionary message to the farthest reaches of the state.

The exhibits ranged from Aleksandr Deineka’s optimistic studies (which formed the basis for the giant mural at USSR pavilion at the 1937 ‘Exposition Internationale des Arts et Techniques’ in Paris) to the chilling evidence of the doctoring of photographs and paintings to airbrush discredited individuals from history. I found it all fascinating. I haven’t seen Soviet revolutionary posters in arabic script before and found the explanation of how posters were altered for the eastern republics especially interesting.

It’s well worth catching the exhibition whilst it’s at the Tate Modern (8th November 2017-18th February 2018) and the connected exhibition of works by Ilya and Emilia Kakakov (18th October 2017-28th January 2018) which offers some interesting perspectives on the Soviet past, beginning with Ilya’s clandestine artworks from the 1960s.

A peek inside Crossrail Liverpool Street

Posted in England, London by folkestonejack on September 21, 2017

The last stop on our Open House London schedule for 2017 brought to the Crossrail site at Liverpool Street Station, just around the corner from my workplace. I was quite intrigued to see what was going on behind the hoardings that I regularly pass during my working week.

The entrance to the Eastern Ticket Hall (Broadgate) will be through a five metre tall glazed canopy in a newly pedestrianised plaza

I think we all knew that it is a massive undertaking to build this new railway line but I still had not appreciated the degree of complexity involved in weaving this new line through the heavily built up city and finding a place to fit the infrastructure needed to support it. This even includes the need to avoid the disused stretch of the mailrail that passes through here.

The other fascinating insight was how innovative technology is being used to improve the efficiency of the build, from drones used to inspect the tunnels to VR hard hats allowing easy access to plans and drawings whilst working with both hands. The future industrial application of this technology sounds so optimistic that it makes you wonder why so much of the initial focus was on the leisure market!

Our visit allowed us to take a look inside the construction site at what will be the Eastern ticket hall of a new station that will stretch all the way across to Moorgate which has a rather striking ceiling design that looks like someone has been making origami in concrete.

The view down from the Eastern Ticket Hall to the lower levels of the concourse

From here we could also see the space where escalators and an incline lift will take passengers down to the lower levels. It’s hard to believe that in just over a year this space will be bustling with passengers. As it will almost halve the time from the City to Heathrow I am sure it won’t be long before I am amongst the throng.

Exploring Alexandra Palace’s hidden history

Posted in England, London by folkestonejack on September 20, 2017

Our first stop on this year’s Open House London weekend took us to Alexandra Palace, a pleasure palace built for the people in the late nineteenth century. In act, it was built twice over – the first palace burnt down in 1873 sixteen days after its grand opening so the building we see today is a complete re-build which opened on 1st May 1875.

Alexandra Palace

Alexandra Palace is probably most famous as the birthplace of television with the first BBC broadcast transmitted from here to 200 television sets on 2nd November 1936. However, our visit focused on the basement and some remnants of earlier chapters in its remarkable story.

After donning hi-vis jackets and hard hats we headed through the doors of the curiously named ‘Traitor’s Gate’ below the south terrace and into the surprisingly extensive south basement where the layers of history are still visible. In contrast the north basement, which was completely rebuilt after the terrible fire of 1980, is of little interest.

Entering the basement through Traitor’s Gate

At first it was hard to imagine that this derelict and dusty space was once a thriving underworld filled with offices, kitchens, cellars, store rooms, larders, ice wells, plate stores and a dining hall for servants. However, as our guide pointed out the surviving features, including storerooms with shelf markings still visible and bread ovens, the space started to come alive a little.

The industrial scale of the dining experience here looks pretty grand in the pictures that survive but it was said that the food was often cold by the time it reached the table after making the long journey from the kitchen!

Bread ovens

Move forward a decade or two and the picture is entirely different. Alexandra Palace became home to Belgian refugees in 1914 and then an internment camp for German, Austrian and Hungarian ‘enemy aliens’ between 1915 and 1922. Over the span of the war 17,000 aliens spent time at Alexandra Park, divided into three battalions reflecting their social class. The working classes found themselves crammed into the great hall whilst the upper class inhabitants had a more comfortable living space in the towers. The divisions didn’t end there – working class men were allowed weekly visits of just 15 minutes whilst the upper classes were allowed 2 hours.

The basement space was a part of this re-purposing of the palace. Our guide pointed out a prison cell with barred windows that survives in the basement (apparently many internees tried to get themselves sent here to escape the noise of the overcrowded hall) and some of the discarded heavy machine tools from the workshops used by the internees. Amongst other things, the internees made model boats that they sailed on the boating lake behind the palace. Other aspects of the camp have long since vanished, such as the 400 allotments that once surrounded the site.

Abandoned workshop tools

After making our way back into the main building we had an opportunity to see a marvelous short film that gave us a little bit more of the story of the internment camp, drawing on letters and drawings from the individuals detained here. The last internees left in 1922 but the effects were longer lasting, whether from mental illness brought on by the confinement (‘barbed wire disease’) or through harrowing deportations that separated the men from their english families (only a minority of 4000 were allowed to remain).

Alexandra Palace has so much history to share and I hope that the plans for restoration will allow the spotlight to be thrown on all these layers.

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Open House London 2017

Posted in England, London by folkestonejack on September 16, 2017

Open House London celebrates its 25th anniversary this year with another bumper crop of new buildings added to the list of old favourites. It is testament to the riches of London that there is never any shortage of places to visit every year from stunning livery halls to astonishing industrial sites. This year was no exception – with two palaces offering some fascinating and very different glimpses of the past.

Lambeth Palace

Our day took us back and forth across London with visits to Alexandra Palace, Lambeth Palace, Watermark Place, The Walbrook and Crossrail Liverpool Street. Along the way we enjoyed a side-visit to the incredibly surprising St Mary Abchurch which we just happened to see was open whilst walking between sites.

The highlight of the day was a ‘taster’ tour of Lambeth Palace, the London residence of the Archbishops of Canterbury for over 800 years. The sense of history is overwhelming, such as when you step inside the Guard Room to find yourself being watched by two centuries worth of Archbishops of Canterbury and learn that this was where the fate of Sir Thomas More was sealed.

Other interesting sights on our tour included the beautiful stained glass and blitz marked floors of the chapel, the vaulted crypt and the charming State Drawing Room.

The enthralling nature of our tour of Lambeth Palace was as much a testament to the story-telling skill of our wonderful guide as the building itself, weaving in historical events, tales of chance encounters with past archbishops and some unusual discoveries (such as the green man in the Guard Room). Absolutely wonderful.

The roof gardens at Watermark Place

The biggest surprises of the day came at Watermark Place, where we enjoyed a stunning rooftop view and met the hawk that keeps the skies above clear of pigeons two days a week, and at St Mary Abchurch, where we discovered that the conventional looking square red-brick exterior hides an astonishing painted dome (one of Wren’s experiments in preparation for St Paul’s Cathedral).

From the outset Open House London has been an incredible event and to my mind it is by far the best weekend of the year in the city, though it is considerably more popular than when I first participated as a university student in the 1990s! Thank you to Victoria Thornton, the Open House London team and the many volunteers for twenty five years of wonderful insights into the architectural gems of this city.

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THV Galatea visits London

Posted in England, London by folkestonejack on September 11, 2017

The Trinity House Vessel Galatea, a Multi-Function Tender, arrived in London in the early hours of this morning after making the journey round the coast from her home port of Harwich. The visit has been organised in conjunction with the biennial London International Shipping Week (11-15 September 2017).

THV Galatea arrived in London in the early hours of this morning

The Galatea is just a month shy of the tenth anniversary of her naming by the Queen at this very spot on 17th October 2007. The vessel was constructed at the Remontowa shipyard in Gdansk and launched on 26th July 2006. She is normally based at her home port of Harwich.

The near ten year old tender was designed as a state of the art vessel to support Trinity House’s role as the General Lighthouse Authority for England, Wales, the Channel Islands and Gibraltar. This includes buoy handling, wreck marking and hydrographic surveying. Quite a striking change from the cruise ship visitors more familiar through the summer, especially with her distinctive 30 tonne lift crane!

THV Galatea and HMS Belfast with Tower Bridge in the background

The evening rush hour got a rather impressive view of the ship with black skies, brilliant sunshine and a rainbow which are probably circulating on social media right at this minute. I was a little too slow making it to the bridge for that shot, timing my arrival for the last few rays of sun and the arrival of a deluge! After sheltering for a moment or two I was lucky enough to have a chance to redeem myself.

THV Galatea will be moored alongside HMS Belfast until the evening of Thursday 14th September.

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Riding the Mail Rail

Posted in England, London by folkestonejack on July 8, 2017

One of the more extraordinary feats of engineering in Great Britain has to be the Post Office Railway, a six and a half mile long line on which driver-less mail trains ran beneath the feet of unsuspecting Londoners for 76 years. In its heyday it carried an average of 12 million letters and parcels a day, though this had reduced to four million towards the end of its active life due to the relocation of sorting offices away from the line. It was officially renamed the ‘Mail Rail’ in 1987 to mark its sixtieth anniversary.

One of the narrow tunnels on the Post Office Railway, now re-used for the Mail Rail experience

Standing in front of the electric units used on the line at a MailRail themed open day at the BPMA Museum Store at Debden, Essex in April 2012 I lamented the demise of such a remarkable system and wished I could have seen it in operation. The tantalising glimpses of the system offered by urban explorers showed that the line, mothballed in 2003, was still in reasonably good condition and only increased that desire to see more.

I could never have imagined that five years on the MailRail would be back up and running, this time as London’s newest and most exciting tourist attraction. At that time any possibility of reviving the system seemed complete fantasy, so hats off to the believers who kept pushing the idea. When the news about the plans first broke in 2013 I was delighted and only too happy to make a small contribution to its revival by sponsoring a sleeper when the opportunity arose. I still hardly dared believe that it would really happen.

Today, I got a chance to take a sneak-peak at the MailRail experience as workmen continued to apply the finishing touches to the new museum buildings. Our day included a ride on the Mail Rail in specially designed new passenger viewing coaches, a look at the new Postal Museum and a walk along the tracks to see the sleepers we had sponsored.

Walking the tunnels – hard hats were a must for the low tunnels on parts of the route

The Mail Rail ride experience takes in a relatively short stretch of line underneath the Mount Pleasant sorting depot. The ride begins in what was the depot and then takes you through two platforms that have apparently been left largely untouched since the last mail train ran on the system (although emptied of the mail trolleys that would once have filled them). Along the way some pretty clever projections bring the history of the Postal Railway to life. It might only take a quarter of an hour before you loop back round to the beginning but they are very satisfying minutes!

It’s worth noting that it could all have been very different. There were a number of commercial proposals on the table around the time of the closure, including the transportation of wine, document exchange and the delivery of high value small goods to retail stores on Oxford Street. I’m thankful that it was the museum curators who won that battle.

The new miniature passenger vehicles, specially commissioned for the museum, are a little bit of an awkward squeeze but then again the system was never intended for the transportation of human beings. That’s not to say that the system is utterly without human touches – rather wonderfully a dartboard still hangs on one of the Mount Pleasant platforms with scores chalked up from the last game.

Looking ahead at the entrance to the tunnel system with one of the two new passenger vehicles in the station

Our walk along the tracks later in the day gave us a bit more space to appreciate the route and just how narrow the tunnels are. It was rather lovely to see the sleeper we sponsored, complete with a plaque, which should have a lifespan of 25 years before it needs replacing. The walk allowed us to get a better look at the stalactites hanging down from the tunnel roof, the graveyard of wagons part-way through and the dummy vehicle used to test the dimensions of the new passenger vehicles in the tunnels.

The final element of our visit was a chance to look around the half-finished Mail Rail exhibition space which shows off the surviving locomotives on the tracks they were built for, rather than languishing in the museum warehouse out of context. It’s a superb historical walk through but it took a locker preserved just as it was left on the last day of operation (complete with 2003 vintage shower gels) to remind me that this is a story of the 21st century as much as of the ingenuity of the first engineers.

A deconstructed engine from the 1930s

The Postal Museum itself is one of the best presented I have seen anywhere, telling the five hundred year long story of the postal system with real verve. It also manages to achieve the near impossible balance of serving up sufficiently engaging stuff to entertain children and plenty of fascinating exhibits/information for adults. Star exhibits included Machin’s ‘Diadem Head’ plaster cast and trial stamps (essays), a display about Edward VIII stamps and an array of rather wonderful postboxes. The pneumatic postal tubes looked fun too.

My absolute favourite had to be the hand-illustrated envelopes that Frederick Tolhurst sent to his children when his marriage ended in 1915. Every one is a marvel, incorporating the address into the design in ever more ingenious ways such as on the side of a barrage-balloon over a search-lit London skyline. You can see some of the wonderful designs on a blogpost from the BPMA at The Mystery of the Tolhurst Envelope: Case Closed.

I learned plenty too – I had no idea that the first postboxes were installed in the Channel Islands, that you could post game with nothing but a neck label in the 1930s (as long as they didn’t leak) or that at one time you could send postcards for a cheaper rate if you only wrote five words!

One of the displays in the Postal Museum

It is safe to say that the combination of the MailRail and the Postal Museum is fabulous – it really deserves to become one of the top attractions in London. The Postal Museum is opening to the public on 28th July 2017 but the Mail Rail exhibitions and ride don’t start until 4th September 2017. Full details are available from the Postal Museum website.

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Splendours of Syon House

Posted in England, London by folkestonejack on June 26, 2017

On a recent flight into London I took a glance out of the window and found myself looking down on the marvelous sight of Syon House, a former royal palace, set in 200 acres of parkland on the Thames riverside. I resolved to take a closer look from the ground and on stepping inside discovered wonderful palatial interiors far beyond my expectations.

An aerial view of Syon House and Park, as seen from a recent flight into Heathrow

Syon House has been the London home of the Dukes of Northumberland since their grand house on the Strand was earmarked for demolition in the 1860s. Although it might not attract the volume of tourists that travel to the palace at nearby Hampton Court it is just as steeped in the bloody history of the country, notably with Lady Jane Grey’s acceptance of the crown in 1553 which would ultimately lead her to execution at Tower Hill a year later.

The walk from Syon lane station to the house offers a tantalising preview of Robert Adam’s re-modelling with a grand lion-topped entrance on London Road with porters lodges standing astride the driveway to the house. Not much farther beyond this is a rather splendid crenelated gateway that leads pedestrians towards the former royal palace, cunningly hidden behind a garden centre car park! Mind you, nothing is that ordinary here – the garden centre is based in a 16th century stable block.

The entrance to the footpath from London Road

As the house doesn’t open until 11am we took the opportunity to take a wander round the gardens first and admire the marvelously photogenic grand conservatory with Mercury posed in a pool in the foreground. It is a little hard to appreciate today just how ambitious this building was when Charles Fowler came up with the design in the 1820s. It also marks a fascinating point in the transition between the orangeries of the 18th century and the Victorian conservatory. Structures like Kew’s vast Palm House were still a couple of decades away when this place was unveiled.

The conservatory also has greater significance, as it was the shipment of 36 vine cuttings from Syon House to Sydney in 1832 that helped found the Australian wine industry.

The Great Conservatory (1826-1827)

I hope that it is not too rude to say that the sober exterior, whilst grand, is not the most thrilling that I have seen, but step inside and you are immediately transported into Robert Adam’s vision of a Roman basilica, watched over by four classical sculptures. However, your eye is immediately drawn to the far end of the hall and a striking copy of the Dying Gaul (the original sits in the Capitoline Museum, Rome). It’s quite an entrance!

The great hall is immediately followed by a succession of astonishing rooms – from an intensely colourful ante-room with gilded statues to a stunning long gallery decorated with medallions showing past members of the Percy family (including the most famous Percy of all, Hotspur). It is testament to the talents of Robert Adams and the craftsmen that he employed that the re-modeled interior still delivers such a wow factor today. It’s a pity that Robert Adams never got to add the giant rotunda that he planned for the inner courtyard but what he was able to deliver is nothing short of astonishing.

The house is filled with incredible artworks and treasures, including many royal portraits. I think my favourites would have to be the pair of paintings from the Flemish School in the Oak Passage that show King Henry VII with his three sons and Elizabeth of York, Queen of England, with her four daughters.

Syon House

Syon House itself has plenty of royal connections of its own which place it at the heart of British history and not just through the nine day queen. These connections include Charles I, who visited his children at Syon House during his imprisonment at Hampton Court, and Princess Victoria who stayed frequently at Syon House before succeeding to the throne.

The most gruesome royal connection is perhaps Henry VIII, whose coffin lay at Syon in 1547 whilst en route from Westminster to Windsor. The coffin seeped blood from the bloated corpse which a dog was seen to lick up – an act that many saw as just retribution for Henry’s suppression of the Bridgettine abbey that preceded Syon House. Although the abbey is long gone, it is still remembered in an exhibition space in the house which showcases the finds and architectural discoveries from Time Team and other archaeological digs on the site.

Practicalities

It is well worth a visit to Syon House to admire the marvels of Robert Adam’s interiors and the treasures of the Percy family. We took the train to Syon Lane and it took us around 15-20 minutes to make the walk to the entrance to the house, next to the garden centre. The garden centre has a restaurant but a freezer-failure saw us head to a delicious alternative at the Coach and Horses, Isleworth which more than satisfied us.

The gardens at Syon Park are usually open all week during the season but the house only opens three days a week. Full details of opening hours and ticket prices are available on the Syon Park website.

Tilbury B and the changing Thames riverside

Posted in England, Gravesend, London, Tilbury by folkestonejack on April 26, 2017

On a stroll along the shoreline at Gravesend you can’t fail to miss the twin chimneys of Tilbury B Power Station, a structure that has dominated this stretch of the Thames since its construction started in 1961. Like so many other industrial landmarks of the twentieth century it is a sight that won’t be with us for much longer – it is set to share the fate of its sister power station, Tilbury A, and will be completely demolished by the end of 2018.

SB Hydrogen sails past Tilbury B Power Station

Work on the destruction of the site began in January 2016, three years after its closure, but the majority of the explosive demolition jobs are scheduled for this year. The first of these will see half of the Turbine Hall demolished at 10am tomorrow, followed by the chimneys, boiler house and bunker house later in the year.

So many colossal industrial structures have disappeared from London and kent, such as the gasholders at Battersea and Kings Cross and the 244m chimney of Grain Power Station, but I had not entirely appreciated just how much change was taking place on the Thames.

The Royal Wharf development at Silvertown

The Greenwich Peninsula development

The degree of change is particularly striking on the stretch of the river at West Silvertown (between The Thames Barrier and Trinity Buoy Wharf) and around the Greenwich Peninsula where a low height industrial landscape is being replaced by high-rise residential developments. In the not too distant future it will be as hard to imagine the industry that the Thames supported here as it is to imagine that a forest of cranes and warehouses once surrounded Tower Bridge!

My trip up the Thames between Gravesend and Greenwich over the Easter weekend gave me plenty of opportunities to see the vanishing industrial landscape, as well as the occasional survivor such as the Victorian marvel of Crossness Pumping Station (somewhere I must get around to visiting). It was a fascinating trip – I wonder how different it will all look in a decade or two and how much further the de-instrustrialisation of the Thames will have extended.

Thames Gallery

Sailing beyond the storm

Posted in England, London by folkestonejack on April 16, 2017

The splendid sight of the parade of sail for the Tall Ships Festivals 2017 certainly drew the crowds to Greenwich and Woolwich. It looked as though the initial forecasts of around 600,000 visitors could easily have been met over the course of the four days that the event spanned. Indeed, some 11,000 visitors were reported to have got on board one of the tall ships moored at the two sites over the first three days of the festival alone.

Once the tall ships began their procession it was striking to see that just about every spot lining the Thames to Woolwich has been filled, despite the miserable weather. In some places, such as around the Trafalgar Tavern, the crowds looked to be six-deep, though one chap on the water had the best view of all!

Artemis heads towards the towers of New Providence Wharf

As a spectacle, I think the Parade of Sail in 2014 has the edge, if only because there were a few more sails on display and the significantly better weather, but it was still a treat to be able to admire such a great line up of beautiful ships on our doorstep. I hope it is not so long before we see such a gathering again.

It has taken a while to go through the thousand or so pictures that I took during the parade, but I think the selection below gives a reasonable flavour of the event. I was a little lucky to be on a sightseeing boat for the event as it gave us a chance to outrun the gathering storm and try and catch the ships in the better conditions to the east. Nevertheless, I can’t help but like the drama that the dark skies add to some of the pictures.

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Royal Greenwich Tall Ships Festival 2017

Posted in England, London by folkestonejack on April 16, 2017

Over the course of the Easter weekend around 30 ships have been moored at Woolwich Arsenal and Greenwich for the Royal Greenwich Tall ships Festival, an event marking the start of the Rendez-Vous 2017 Tall Ships Regatta.

Amongst the ships on display there were nine that would be participating in the first leg of the regatta from Torbay to Sines, Portugal, with the remainder visiting for the weekend from ports across Europe. The visitors span an impressive 122 year stretch of shipbuilding history, from the gaff cutter Leila (1892) to the brig TS Royalist (2014).

The Santa Maria Manuela (1937) is turned by a tug, ready to lead the parade of sail away from Greenwich

The largest ships in the festival were the four masted schooner Santa Maria Manuela (1937) and the fully-rigged ship Christian Radich (1937), both of which are participating in the first leg of the regatta (the other participants being the Etoile, Jolie Brise, Rona II, Peter Von Danzig, Vera Cruz, Wylde Swan and Hosanna).

The handful of ships participating in all the legs will visit Sines, Bermuda, Boston and the eastern US seaboard before reaching Quebec on July 18th for the celebrations to mark the 150th anniversary of the Canadian Confederation. Afterwards, the return voyage will see the ships cross the Atlantic to Le Havre via Halifax, Nova Scotia.

The Artemis (1926) returns to a mooring at Woolwich Arsenal at the end of the parade

For the last day of the festival I joined a group of photographers on board the sightseeing ship Jacob Marley for a cruise upstream from Gravesend to follow the parade of sail, setting off at 1.30pm and returning to our starting point at 8pm. Along the way we got to see the ships mustering in Greenwich for the grand departure, the parade of sail and the onward travels of a handful of vessels making their way to a mooring at Gravesend.

The forecast was not exactly promising when we set out but there were a few wonderful moments of light amidst the gloom and that’s all you need to get a few good shots. I returned with over a thousand photographs, so I could hardly claim to have been deterred by the lack of sunlight!

Thank you to the team from Timeline events and the Jetstream Tours crew for a marvellous afternoon on the water.

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Art and architecture beyond the revolution

Posted in England, London by folkestonejack on March 19, 2017

The centenary of the Russian Revolution has seen the opening of a couple of new exhibitions in London – Imagine Moscow at the Design Museum (15th March – 4th June 2017) and Revolution: Russian Art 1917–1932 at the Royal Academy (11th February — 17th April 2017) which both explore the seemingly limitless boundaries in both art and architecture during the early years of the new state. Over the past two weekends I enjoyed visits to both and came away with some surprising highlights.

The Design Museum in Kensington, London

I have long been astounded by some of the imaginative buildings proposed for Moscow so the new exhibition “Imagine moscow: architecture, propaganda, revolution” at the Design Museum was always going to fascinate me.

A full size 4 metre long reconstruction of Lenin’s index finger, which was intended to point from the top of the Palace of the Soviets towards his mausoleum, makes you appreciate the vast scale of the unrealised plans of Boris Iofan and his contemporaries. It’s hard to appreciate just how much Moscow would have been altered by all of these vast schemes, but the footage on a loop from Aleksandr Medvedkin’s 1938 film “New Moscow” gives you a good idea. No room for cathedral spires or ancient towers in this vision!

As astonishing as these designs were, it was a couple of the smaller exhibits that intrigued me the most. The first was a copy of “About Two Squares” (1922), a suprematist childrens book authored by El Lissitzky telling the story of a black and red square that come to earth from space. It’s a strikingly bold approach to teaching children about the new Soviet order, but it’s hard to imagine this being a tale that would have won many hearts and minds.

The second exhibit that caught my eye was a Ne Boltai poster from the new state’s drive to improve the literacy of the population. The poster by M. M. Litzvak (1925) is a call to all citizens to take note that a library was being installed in the restaurant wagon of every train – with an image of a trio of ordinary workers engrossed in books to re-inforce the point.

On top of all this, it’s terrific to explore the interior of the relatively recently re-opened design museum (formerly the Commonwealth Institute building) now that the crowds have eased a little and neighbouring Holland Park is a delight at this time of year with its vast swathes of daffodils.

The astonishing roof of the Design Museum (formerly the Commonwealth Institute building)

There are some pleasing overlaps between the two exhibitions. Revolution: Russian Art 1917–1932 includes a rather marvellous urn “Commemoration of the Flight of a Russian Dirigible from Moscow to New York Piloted by Three Soviet Airmen” (c. 1932) shows the Palace of the Soviets on one side and the Empire State Building on the other (if the Palace had been completed these would have been the two tallest buildings in the world).

The two exhibitions complement each other quite nicely in other ways too – for example, you get a full-scale recreation of an apartment designed for communal living at the Royal Academy and then at the Design Museum see some of the imaginative buildings devised to create communal spaces that would break the mould of family life.

The highlights of the exhibition at the Royal Academy for me were some of the hidden treasures of the twentieth century – such as Kliment Redko’s painting “Insurrection” (1925) and Georgy Rublev’s “Portrait of Joseph Stalin” (. 1930) which are both on loan from the State Tretyakov Gallery, Moscow. These two paintings were hidden from view for entirely different reasons.

As his view of the revolution soured Kliment Redko drew upon his early years as an icon painter and in “Insurrection” created a striking image of Lenin at the heart of a city ablaze – it’s a quite extrordinary painting with incredible detail, from the workers on the march to the disciples surrounding him. It’s hard to imagine that Lenin’s displacement of Christ was meant to be viewed as a positive development.

In contrast, Georgy Rublev gives us an informal painting of Stalin quite unlike anything that I have seen before. Stalin looks decidely relaxed as he sits cross-legged, reading Pravda, in a rattan chair with a dog curled at his feet. It clearly sprang from a far less critical place than Redko’s work but was no less unshowable, only emerging after his death.

The sheer variety of exhibits in the Royal Academy exhibition makes it a pleasure to wander. I can’t say that all of the artworks appealed to me but they certainly captured my interest for an hour or so.

If this wasn’t enough, there is another exhibition of Soviet art coming along later this year. Red Star Over Russia at Tate Modern (8th November 2017 – 18th February 2018) looks set to show us the development of Russian and Soviet art from the 1905 revolution to the death of Stalin in 1953. I’m certainly happy to see some more!

All hail the robot revolution – or maybe not!

Posted in England, London by folkestonejack on February 25, 2017

The latest exhibition from the Science Museum In London, Robots, looks at our long quest to build thinking machines in our own image. It’s an exhibition that takes us through the centuries from the clockwork automatons of the pre-industrial age to the developments in robotics of the early 21st century.

Along the way we get to see some of the marvellous robots of the 1950s-60s. Standing proudly at the cntre of this display is Cygan, a remote-controlled robot from Italy powered by thirteen electric motors. Cygan was often to be spotted in the magazines with a glamourous model on his arm, which only goes to show the unlikely appeal of a bit of can-crushing.

Visionary robots of the 20th century

Cygan stands proud amongst other visionary robots of the 20th century

The last gallery of the exhibition is given over to the social robots that are beginning to move among us in all sorts of environments, ranging from the shopping mall to the nursing home. If you had any notion that robots are a threat to your job you might be vaguely comforted by this section as many of the robots seemed to be out of action when we visited.

The highlight of the exhibition for me was an 18th century automaton of a silver swan which ‘picks up’ fish from a stream. You can see this in action once a day (weekdays only) but it still looked incredibly impressive as a static exhibit. Although the exhibition runs until 3rd September 2017 the swan is only included in the display from 8th February to 23rd March 2017.

It’s definetly worth a look, but overall I don’t think it reached the same heights as last year’s epic exhibition on the Soviet space program. Nor was it perfect – after all, it somehow managed to overlook the finest and most talented robot of our age – Metal Mickey. Boogie boogie!

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